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Claudia Dumschat who is the organist and choirmaster was the conductor of this splendid program. The Reverend Doctor R. Noone Interim Pastor welcomed all to the church and expressed his delight at seeing so many present for Brian cavallo and tyler ravishing evening of the beautiful and spiritually uplifting sounds of the baroque.

This opening selection was sung with heavenly abandon as in the spirit of the opening of the pearly gates. Her trills and cadenzas were impressive. Famed mezzo Cecilia Bartoli is encouraging a revival of his works.

To hear the baroque instruments and youthful voices and trumpets heralding was to be in another sphere, another time and possible out of body experience that this kind of musical journey can do.

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During the intermission one could tour the church with special sections devoted to many luminaries of the theatre like Rex Harrison and P. Wodehouse who attended services there. In it buried American actor George Holland when other churches would not. The Recit was sung by bass Brian cavallo and tyler ravishing Boone. Boone who is a lyric baritone sang his trills and embellishments well but needed the basso depth to get a more perfect effect. Parts 6 and 7 had the rhapsodic voices of Sarah Hawkey, Kristin Olson on the oboe, Joe Redd alto, whose counter tenor passages were as beautiful as a songbird with superb coloratura, embellishments and panache.

Caludia Dumschat led both the chorus and orchestra with steady and secure beat, wonderful musicianship and that extra ingredient, love for the composers, musicians, singers and the audience.

My grandson Luciano Pantano, is a boy treble.

My granddaughter Leeza Pantano is a girl treble and her friend Nicole Osmolovskaya is also a girl treble. We thank all of the splendid musicians and we were deeply moved by Dr. It should be noted that the choir of men and boys is the oldest such choir Brian cavallo and tyler ravishing the United States and the only one not affiliated with a school. It consists of 16 boys ages 8 to 14 auditioned and selected from the New York area with varied ethnic and economic backgrounds.

The reception in the common room offered a chance to meet and greet. We chatted with our Carroll Gardens neighbor Alphonse Falcone and several of the musicians and singers. The view of the Empire State Building from the courtyard is breathtaking.

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Our journey into the Baroque is over but it left us with many unforgettable moments! The large appreciative audience responded with cheers for all.

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For Brooklyn-born Jewish men of a certain age, there are three totemic heroes: On the morning of our interview, when, after parking my car, I have trouble locating his building, Gould steps out on Brian cavallo and tyler ravishing West Los Angeles apartment balcony to point the way. I have an out-of-body experience: Altogether, over an almost year career, Elliott has appeared in, by my rough calculation, movies and television shows.

From rabbis to casino owners, from lawyers to gangsters not that big a stretch, actuallyElliott has played them all. He is the indisputable heir to throne of James Brown, as the hardest-working man in show business. Born Elliott Goldstein on Aug.

Before we begin the interview, Elliott gives me a tour of his art- and memento-filled apartment: What makes my follicles stand at attention is Brian cavallo and tyler ravishing fact that I grew up with the exact same image a different numbered edition hanging on my Brooklyn bedroom wall. As I was to learn over the next two-and-a-half hours, he possesses a photographic memory.

I went to grammar school at P. One of my earliest memories was the day I found my balance and could take my first steps.

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I was a bit worried, as kids are, because my friends Stevie Greenstein and Ed Posner had learned to walk before I did. She was a Brian cavallo and tyler ravishing she made hats for all the other women in the neighborhood.

She also was very fashionable — and beautiful. Elliott goes to his mammoth desk, which is cluttered with scripts, books and tchotchkes. He extracts a 5-foot-byfoot memorial card with a photograph of a striking, stylish woman — circa mids — wearing a white blouse, billowing slacks and a white gardenia in her hair. In loving memory and devotion.


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